Throughout the 1960s and earlier, the bass was mostly viewed as a rhythm instrument, a bridge between the drums and the guitars intended to provide some low-end sound to flesh out chords and simultaneously emphasize the beat.Aside from the occasional solo (think The Whos My Generation, which arrived in 1965), it remained in the background.McCartney, one of the worlds preeminent writers of melody and most innovative musical minds, wasnt content to let the bass take a backseat on every Beatles song, particularly as the bands career advanced.
Lennon had heard a booming bass sound on a Wilson Pickett record and thought it would be cool to replicate. Together with their legendary studio engineer Geoff Emerick, the band rigged up a way to use a loudspeaker as a microphone and, with Paul using a Rickenbacker instead of his iconic Hofner, boosted the volume higher than anyone had done before. The result: Pauls bass line, showcasing his mixture of melodic and rhythmic capabilities on the instrument, drives the song. If you enjoyed your experience, you can return to the new site. Which device did you use to visit the site (browser type, computertabletphone). In general, the more complex passages and rapid note sequences are given to the cellos, while the basses play a simpler bassline. In unaccompanied solo performance, basslines may simply be played in the lower register of any instrument such as guitar or piano while melody andor further accompaniment is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the pedal keyboard and massive 16 and 32 bass pipes. The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a sic entire work. Basslines align with the drums. Other rhythm instruments join in to create a more interesting rhythmic variations. The type of rhythmic pulse used in basslines varies widely in different types of music. In swing jazz and jump blues, basslines are often created from a continuous sequence of quarter notes in a mostly scalar, stepwise or arpeggio-based part called a walking bass line. In Latin, salsa music, jazz fusion, reggae, electronica, and some types of rock and metal, basslines may be very rhythmically complex and syncopated. In bluegrass and traditional country music, basslines often emphasize the root and fifth of each chord. In classical music such as string quartets and symphonies, basslines play the same harmonic and rhythmic role; however, they are usually referred to as the bass voice or the bass part. From the 1920s to the 1940s, most popular music groups used the double bass as the bass instrument. Starting in the 1950s, the bass guitar began to replace the double bass in most types of popular music, such as rock and roll, blues, and folk. The bass guitar was easier to transport and, given that it uses magnetic pickups, easier to amplify to loud stage volumes without the risk of audio feedback, a common problem with the amplified double bass. By the 1970s and 1980s, the electric bass was used in most rock bands and jazz fusion groups. ![]() In organ trios, for example, a Hammond organ player performs the basslines using the organs pedal keyboard. In some types of popular music, such as hip-hop or house music, the bass lines are played using bass synthesizers, sequencers, or electro-acoustically modeled samples of basslines. In these genres, basslines are almost always performed on synthesizers, either physical, such as the Minimoog and the Roland TB-303, or virtual, such as Sytrus and ZynAddSubFX. In hip hop, producer Rick Rubin popularized the technique of creating basslines by lengthening the bass drum decay of the TR-808 drum machine and tuning it to different pitches. Other, less common bass instruments are the l run (), d yn g h (), and da d h () developed during the 1930s. In orchestral repertoire, the basslines are played by the double basses and cellos in the string section, by bassoons, contrabassoons, and bass clarinets in the woodwinds and by bass trombones, tubas and a variety of other low brass instruments. In symphonies from the Classical period, a single bassline was often written for the cellos and basses; however, since the bass is a transposing instrument, and it is notated an octave higher than it sounds, when cellos and basses play the same bassline, the line is performed in octaves, with the basses an octave below the cellos. By the end of the Classical period, with Beethovens symphonies, cellos and double basses were often given separate parts.
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